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Showing posts with label Camera. Show all posts
Showing posts with label Camera. Show all posts

Five Ways to Make Money Using Your Digital Camera

Friday, January 21, 2011

Have you ever wanted to find a way to bring extra money into your household--yet don’t have a lot of time to spend on a full-time endeavor? The solution is as close as the digital camera sitting there in a drawer. The following suggestions are only a few of the many ways you can make money in your spare time with your camera.

* Pet photos - Most owners won't struggle to take a photograph with their pet all by themselves. You can be the one who makes it easy on them. Not only can you charge for the service and your time, but you can offer the photograph in it's digital form or as a print that you can mail to them later - either created by your own photo printer or by a photo processing service.

*Graduations - preschool, high school, or college graduations offer dozens, if not hundreds of opportunities to capture a significant moment in someone's life. If the family members of the graduate aren't located in as good a location or don't have as good a camera as yourself - you'll have even greater opportunity at getting the shots they couldn't.

*Holiday Family Postcards - offer your services to families that want their picture taken and put on a postcard that they can send to their extended family and friends.

*Photo Novelty Items - take photographs of people that want the pictures of themselves of their loved ones imprinted on coffee mugs, mouse pads, key chains, tee-shirts, and other items.

*Newborn photo service - parents of newborns are some of the busiest people in the world. Advertise your services on an on-call basis so that you can take informal snapshots for the growing family either before they leave the hospital, or after they get home. This way both parents and the child can be in more of the pictures all together, and the parents have one less thing to try and figure out

Capturing the Little Things With a Digital Camera

Have you ever wondered how a photographer gets such clear, detailed photos of things like flowers or insects? Capturing such close-up pictures is most often done with a setting that comes as an option on many digital cameras--the macro setting.

What the macro setting on your camera essentially does is focus on a very small area. The background often appears unfocused to further bring out your intended subject. Getting in close to capture all the detail of a small object is nearly impossible with the regular setting on a camera. Anything closer than about three feet becomes blurred. The macro setting changes the distance your camera will be able to focus and often allows you to take clear pictures from as close as two or three inches.

This camera mode allows for a lot of experimenting. Try taking a picture of a bee sitting on a flower petal or a close-up of frost on the window. You will be amazed at the details brought out. You will be able to almost feel the furriness of the bee and the ice crystals are beautiful.

If you are planning to sell at online auctions, a macro setting on your camera will help with taking better pictures--and better pictures help with sales. You can take close-up photos of such objects as stamps and coins, show the engraving on an object or allow a viewer to see that a piece of jewelry is flawless.

Don’t save your photo taking for big events exclusively. Take a walk and notice the little things like the pattern on a tree trunk or an ant carrying a bread crumb twice his size. There are interesting photos everywhere once you start to look, and the macro mode on your digital camera is the perfect tool for capturing them.

How Many Mega-Pixels Do I Need?

Saturday, December 11, 2010

One of the confusing things in choosing a digital camera is deciding how many mega-pixels you should look for. The answer depends on what you plan on doing with the finished pictures.

First, you need to understand what a pixel is. In terms of digital prints, a pixel simply means a dot of color that makes up the image. A mega-pixel is equal to one million pixels. The more mega-pixels a camera has, the greater the amount of information it records.

The easiest way to decide what to look for is to know what size prints you are likely to print from your camera. A one mega-pixel camera is fine for those who don’t plan on printing photos but rather just post them on the internet. A small print, say 4 x 6, will print acceptably from this camera.

A 2 mega-pixel camera will enable you to produce good quality 5 x 7 prints and fair quality 8 x 10 prints. When you reach 4 mega-pixels you can print out excellent quality 8 x 10 prints and acceptable 11 x 17 prints and a 5 mega pixel camera will allow you to print out high quality 11 x 17 prints.

Most families find a camera in the 3.2 Mega-pixel range to be the best choice. The quality of both 5 x & and 8 X 10 prints is very good yet the files on your computer are not so large you need worry about not having enough space.

Any camera over 5 mega-pixels is unnecessary for all but professionals in photography; even then, only those who have need for poster-size prints find that many mega-pixels worth the money. Most freelance photographers find 4 or 5 mega-pixels to be sufficient for excellent-quality prints.

The choice is yours. Look to what you plan on doing with your photos and then decide. In most cases spending the money for increased optical zoom and lower mega-pixels is the best choice.

Focus Modes in Digital Cameras

While some of the least expensive digital cameras have only automatic focus, meaning the camera does all the work on bringing your subject into the best possible focus, most SLR digitals offer three different focus modes: manual, single auto focus and continuous auto focus. All three of these will be addressed here.

With manual focus, the camera stays out of the focus equation and you, the photographer, make all the decisions regarding this. This is done by setting different buttons or actually using an attached focusing ring that rotates on the camera lens. For those who like to have complete creative control of the finished product, this is the best focus mode.

In single auto focus mode, the camera automatically focuses when you press the shutter button either all the way down to shoot a photo or half way down to lock the focus. This mode is useful when shooting static objects.

In continuous auto focus the camera continuously focuses on the objects in the photo. In this mode the camera continuously corrects the focus as the objects distance from the camera changes. This mode is useful when you shoot photos of moving objects such as a race car during a race or airplanes during an air show. You can hold the shutter button half way down and continuously move the camera to follow the object. The camera will continuously keep the object in focus.

Like any other feature automatic and manual focus modes have their pros and cons. The first step to using them to your advantage is to understand how they work and what they were designed for. The next step is to experiment shoot photos using different focus modes and different types of objects and see how the camera behaves. Once you have done that you will be ready to instinctively use the best focus mode for each photo situation.

Focus Modes in Digital Cameras

Saturday, December 4, 2010

While some of the least expensive digital cameras have only automatic focus, meaning the camera does all the work on bringing your subject into the best possible focus, most SLR digitals offer three different focus modes: manual, single auto focus and continuous auto focus. All three of these will be addressed here.

With manual focus, the camera stays out of the focus equation and you, the photographer, make all the decisions regarding this. This is done by setting different buttons or actually using an attached focusing ring that rotates on the camera lens. For those who like to have complete creative control of the finished product, this is the best focus mode.

In single auto focus mode, the camera automatically focuses when you press the shutter button either all the way down to shoot a photo or half way down to lock the focus. This mode is useful when shooting static objects.

In continuous auto focus the camera continuously focuses on the objects in the photo. In this mode the camera continuously corrects the focus as the objects distance from the camera changes. This mode is useful when you shoot photos of moving objects such as a race car during a race or airplanes during an air show. You can hold the shutter button half way down and continuously move the camera to follow the object. The camera will continuously keep the object in focus.

Like any other feature automatic and manual focus modes have their pros and cons. The first step to using them to your advantage is to understand how they work and what they were designed for. The next step is to experiment shoot photos using different focus modes and different types of objects and see how the camera behaves. Once you have done that you will be ready to instinctively use the best focus mode for each photo situation.

Digital Zoom Versus Optical Zoom

Many digital cameras offer both digital and optical zoom. These two often confuse the average camera buyer, until you know what you’re looking at.

Optical zoom works much like the zoom lens on a 35 mm film camera. It changes the length of your camera’s lens and draws the subject closer to you. The optical zoom keeps the quality of the picture. Digital zoom works differently. It simply takes the picture and crops it then enlarges the part that is left. It causes the quality of the photo to be reduced, sometimes greatly.

What this means in terms of output is you may have a larger view of an object with the digital zoom, but chances are your image will become unfocused. Details will become lost. It is actually best to turn off the digital zoom feature of your camera if possible. This will prevent you automatically zooming in too close as the digital zoom is often an extension of the optical.

There are a couple of things you can do if you want a closer view of a subject but want the quality of your picture to still be good. Try moving in closer when you take the picture. Often only a foot or two will do the trick. If this isn’t possible, you can set your camera to take a picture at its highest file size. This will result in a photo that can be cropped to include only your desired subject, yet allow for an image that is still clear.

Digital zoom has its place. It can be used if the only destiny of your photo is the internet. Photos online can be a much lower quality in the camera and still appear acceptable when sent through e-mail or posted on a web gallery. If your goal is printing, however, seek a camera that has a greater optical zoom and turn off the digital zoom. Your pictures will be better in the end, even if they are not as close up.

Take Better Pictures With Your Digital Camera

Tuesday, November 23, 2010

Today’s cameras make taking pictures a lot easier than the one’s of yesterday. There is always room for improvement, however. Use the following tips to help make your photos go from acceptable to great.

1. Always be aware of the background. You don’t want to find trees growing out of people’s heads or a passing vehicle to draw attention from your subject. Sometimes moving your subject just a couple steps to either side can make all the difference.

2. Use available light. If your digital camera has an option to turn the flash off and it’s light enough outside to read a book then use the available light and turn the flash off. In general camera flashes are too harsh for human skin and make all of us look pale. Indoors, where there isn’t enough daylight, place your subject by a window and use your fill flash feature.

3. Aim your camera slightly down at the person’s face. Also don’t shoot just face on to the person, try a little to the side, a three quarter view, so that you see more of their face. Remember camera higher looking down and a three quarter view, it will slim your subject.

4. Remember your focus. Get closer to your subject. Fill the frame with your subject and there will be no doubt as to what the picture is saying.

5. Never put your subject dead center. Put your just slightly off center; not a lot just a little.

When you’re shooting groups of people, find the imaginary center line of your group and put that line just a bit off center in your view through your lens or screen.
Following these tips won’t turn you into an award-winning photographer today, but you will be on your way to better, more powerful photographs that others will comment on for years to come.

What Is the White Balance Setting on my Digital Camera?

Have you ever taken a picture of a beautiful winter scene and been disappointed to discover the crisp, white snow came out with a bluish tint? This is the kind of situation your digital camera’s white balance is meant to prevent.

The white balance is a sensor that analyzes the lighting conditions and colors of a scene and adjusts so the white in the picture appears white. This helps insure the other colors appear as natural as possible. This is one advantage digital photography has over tradition film. With film, you buy with a certain lighting condition in mind. If that changes, you need to either change your film or hope you can fix any errors in post-production.

Most digital cameras allow you to use either automatic white balance or choose between several preset conditions such as full sun, cloudy day and so forth. Automatic white balance will work in most conditions. There may be times, however when you want to “warm” up a picture to enhance the color, such as for portraits or sunsets. The best way to do this is set your camera’s white balance to “cloudy”. This will deepen the colors and add a glowing quality to portraits. It will take a beautiful sunset and enhance it to the point of incredible.

Practice taking the same photo with different white balance settings to get a feel for the changes each setting evokes. Keep notes until you have a good idea of what each setting does. In time, you will come to automatically sense which setting is best for your particular situation.

White balance is a small setting that can make big changes in your finished photos. Make it your friend and you will no longer have to worry about faded sunsets or blue snow.

Your Digital Camera Owner’s Manual

Tuesday, May 25, 2010

All cameras come with an owners manual, but so few people take the time to read it. Once they get past the basic operations, they get anxious to go out and try the camera. Maybe all the new terms are confusing or there seems like too much information to digest. This is understandable, but by not reading the entire manual, you limit yourself and many cool features of your camera are never used. Hopefully you will find the following suggestions helpful in getting the most from your digital camera.

After your first overview of the features your camera possesses, decide what you would like to explore the most. Pick only one special feature. Read the instructions on what this feature can do and how to use it. Don’t worry if it isn’t completely clear, that will come in time.

Now the fun part. Take your camera and start using this special feature. Try all the different settings within this one feature. See how your pictures change. Explore what this feature does. Don’t stop until you know this feature inside and out and don’t go onto the next feature until you have fully explored this one.

When you are satisfied you know the ins and outs of one special feature, return to the owner’s manual and pick another special feature you would like to learn. Repeat the above process with this feature, only returning to the manual when you are satisfied you have mastered the new skill.

By working through the owner’s manual in this way, you will find it isn’t so overwhelming. The hands-on practice of each skill will help you learn it thoroughly. When you have covered all the cool things your camera will do, go out and enjoy them all. You will be glad you took the time to become friends with this wonderful creation.

Digital Camera Terms To Know

Wednesday, January 20, 2010

It helps when learning to use your new digital camera to also know what some of the more common terms mean. Below you will find many of these common terms defined. Automatic Mode — A setting that sets the focus, exposure and white-balance automatically.

Burst Mode or Continuous Capture Mode — a series of pictures taken one after another at quickly timed intervals with one press of the shutter button.

Compression — The process of compacting digital data, images and text by deleting selected information.

Digital Zoom — Cropping and magnifying the center part of an image. The predominant format used for image compression in digital cameras Lag Time — The pause between the time the shutter button is pressed and when the camera actually captures the image.

LCD — (Liquid-Crystal Display) is a small screen on a digital camera for viewing images.

Lens — A circular and transparent glass or plastic piece that has the function of collecting light and focusing it on the sensor to capture the image.
Megabyte — (MB) Measures 1024 Kilobytes, and refers to the amount of information in a file, or how much information can be contained on a Memory Card, Hard Drive or Disk.

Pixels — Tiny units of color that make up digital pictures. Pixels also measure digital resolution. One million pixels adds up to one mega-pixel.

RGB — Refers to Red, Green, Blue colors used on computers to create all other colors.
Resolution — Camera resolution describes the number of pixels used to create the image, which determines the amount of detail a camera can capture. The more pixels a camera has, the more detail it can register and the larger the picture can be printed.

Storage Card — The removable storage device which holds images taken with the camera, comparable to film, but much smaller. Also called a digital camera memory card.

Viewfinder — The optical "window" to look through to compose the scene. White Balance — White balancing adjusts the camera to compensate for the type of light (daylight, fluorescent, incandescent, etc.,) or lighting conditions in the scene so it will look normal to the human eye.